In 1992 the Royal Academy of Arts held an exhibition of the Sacred Art of Tibet simply called "Wisdom and Compassion". This striking image is from the free guide, and for many years followed me around from desk to desk. I thought it worth sharing, it is truly beautiful. The exhibition catalogue describes her as follows:Thousand-armed Ushnishasitatapattra is a special form of the goddess Tara, a female counterpart of the thousand-armed form of Avalokiteshvara. Her iconography is probably one of the most complex in the Tibetan Buddhist pantheon. The goddess has as many heads and legs as she has arms. She tramples on human beings, birds and animals. Pressed under her feet into two cubes in this sculpture, they symbolise egocentric existence.
(The statue stands 102 cm, and is from the State Hermitage in St. Petersburg. Description is by G. Leonov).
At the same exhibition Tibetan monks constructed an elaborate sand mandala over several days. I remember in particular a small child invited to share the task, rasping the funnels to trickle out the coloured sand. What fun! Then, when complete, the mandala was scooped up, and thrown in the Thames, for the merit of all Beings.



















