Showing posts with label Korean Buddhism. Show all posts
Showing posts with label Korean Buddhism. Show all posts

Tuesday, March 02, 2010

Miroku bosatsu

 


Miroku 弥勒 (Sanskrit, Maitreya) is the future Buddha, alternatively depicted as a bodhisattva (bosatsu 菩薩) as in the famous example above from Kōryū-ji [広隆寺] in Kyōto. More to come.
 
This image is from a beautiful small book, "Handbook of Korean Art - Buddhist Sculpture" by Youngsook Pak & Roderick Whitfiel, Laurence King Publishing, London, 2003.

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Sunday, November 29, 2009

Manjusri - Korean

Rev. Master Mugo at JadeMountains highlights the "utter expansiveness" of Manjusri's Great Vow.

In that spirit, I offer a Korean image of the Bodhisattva Manjusri as a boy figure, tongja, from Sangwõn Temple on Mount Odae in Kangwõn Province. The temple was built in 1376 and restored in 1464. The image was commissioned two years later by Princess Uisuk and her husband in the hope of having a boy. I am not a scholar of Korean Buddhism and other accounts seem to differ. Nonetheless, the image is atypical for the Bodhisattva Manjusri.


National Treasure 221
Sangwõn-sa Munsu tongja, Manjusri-as-a-boy


"Manjusri represents the 'wisdom and realisation of all the Buddhas'. Accompanying Buddha Shakyamuni, he and Samantabhadra (Pohyõn Posal), who represents 'intrinsic principle, meditation and practice', would form a triad. His appearance as a boy with two top-knots is unusual, but as a Bodhisattva he is adorned with a pendant necklace and wearing bracelets. ... Manjusri in Japan always appears holding a sword, the symbol of wisdom in one hand, and a Buddhist scroll placed on top of a lotus in the other. But the Sangwõn-sa Manjusri shows a hand gesture that is more commonly associated with Amitabha Buddha. In the fifteenth century Korean Buddhist iconography was not strictly adhered to, and instead both mudra (hand gesture) and posture were more freely adapted to various images."

From "Handbook of Korean Art, Buddhist Sculpture," Youngsook Pak & Roderick Whitfield, Laurence King Publishing, London 2003. (Available in limited preview on Google Books).

Any copyrighted material on this page is considered to be "fair use", for the purpose of study and review, and will be promptly removed at the request of the copyright owner.