
No understatement here!
Part of the temple complex at Kong Meng San Phor Kark See (MMSPKS) Monastery in Singapore.

Earlier this year, Reverend Master Mugo posted some pictures and impressions of her visit in June last year to the Venerable Hong Choon Memorial Hall, part of the Kong Meng San Phor Kark See Monastery. Little did I know that a year on I would sit in the same hall. To the north of the City, this is the largest Buddhist Temple in Singapore. A description, outside the Hall, in English and Chinese, reads:
It doesn't rain by half-measures in Singapore: twice a day I walk by what looks like a canal with no water in it. But when it rains, as it did this morning in the botanical gardens, it rains hard, and you realise the canal is really a storm drain. Within minutes it becomes a fast torrent of red muddy water (this picture was taken on a "dry" day - I have other priorities when it is pouring down). One day!
Singapore's Kinokuniya with 500,000 volumes is said to be one of SE Asia's largest bookshops: not surprisingly, it has a large selection of Japanese books, including Manga and graphic novels. Manga is highly developed in Japan, and is spreading west. Blackwells in London now has a manga section.
Moving into a new place means buying some essentials. By chance there is a large Japanese department store in Singapore, Takeshimaya, and even better, June is a Sale month. So along with bed-linen and tatami mat, I bought two bowls and a small tea pot. Simple, functional, and while not Sen no Rikyu pieces, not unattractive. The tea pot and small bowls are for Sencha. What more do I need.
I watched this ship coming very, very slowly into the already occupied harbour: when very close to the point of no return, it began to slowly rotate on the spot and edge into the berth — sideways. No white churning water, just power applied carefully and at the right spots. I thought of the officers in charge, watching their instruments, absolutely no room for error. And yet mistakes are part of being human. Why mention this at all?
This has been quite a week. Leaving for Singapore's Changi last week on a 22:25 flight from Heathrow, I wondered what I was doing. One week on I still wonder when I wake up at odd hours, but the week has gone very well. The first apartment is back on the agenda again, and will now be painted and cleaned up this week. Servicing the air-conditioning every four months is one of the conditions of tenancy – step outside and you know why. I move in next weekend.
Airports are good places for training and trying to hold on to that still centre. Indeed you have little choice. I have never enjoyed the departure process, and the thought of the future Airbus 380 with two decks fills me with dread. As Singapore Airlines takes delivery later this year, it is possible that I will put this foreboding to the test. Everything about airports seems designed to induce stress, an extreme version of a consumer culture distilled into a small space, devoid of anything calming and natural. Amsterdam's Schiphol has a meditation centre, and I'm sure many would welcome similar quiet oases, no talking, no mobile phones, peaceful lighting, calm. A friend used to find obscure stair wells in distant parts of the airport, and sit on the steps, but these days you are as likely to be cautioned or worse. So, I will make my own calmness.

In Tokyo I thought about buying a "proper" camera, something like a Canon EOS, but I knew I would never carry it, and would be seduced by the need to add lenses, and all the other bits and pieces. I should learn to walk first! A good salesman at Yodobashi in Shinjuku did the deal. The best selling compact cameras were an Olympus and this Casio, not a name I associate with cameras. The Olympus was marginally bigger, 7 Million pixels: the Casio was slimmer, 6 Million pixels, and importantly for me, takes standard memory expansion cards. Proprietary formats make no sense. The Casio slips in my pocket and I find I take it everywhere. A Flickr account, and I am set up for those first few weeks in Singapore, now very close!

Traditional Japanese Theatre is remarkable, and would become an addiction if I lived there. I am not knowledgeable, but a recent post from Moving Mountain soliciting information about a carved figure, sent me looking through what I had. My main text is "Traditional Japanese Theater: an Anthology of Plays" edited by Karen Brazell (Columbia University Press, 1998). The statue that Moving Mountain shows has wild hair, and if you look closely, long braids on either side of the (fearsome) face. The stance is solid, perhaps seated. At first I thought it was a Thunder God (an example is the first picture above). But the figurine did not have any headgear. The lower picture is of the Shite from the Noh play Yamamba (a demon play, attributed to Zeami). No headgear, and the Shite is seated (on a round lacquer box): the stance is very similar to the carved figure. As an aside, the gesture with the closed fan emphasises that grace descends "even to the center of the earth" (Brazell, p.221).
I'm rediscovering Mahler after 30 years. I had everything on LP, but now must move a CD collection to iPod, or maybe to my Linux laptop in ogg format (arguably better). My choice is Claudio Abbado (Nos. 1, 3, 6, 9) Riccardo Chailly (No. 8), John Barbirolli (No. 5), Simon Rattle (Nos. 2, 10), Leonard Bernstein (No. 7) and Jascha Horenstein (No. 4).





I bought a set of prayer beads, nenju (念珠) in Kyoto, to mark the move to Singapore (now put back to 1st June). It was a traditional shop, sliding door to enter, raised tatami platform to work, Japanese only, intimidating to this gaijin. Founded in the Edo period, the shop's current owner was the 12th generation. I selected a 108 bead nenju, made from sandlewood. A momentary fright when 1 million Yen was mentioned, but that was an error! The Japanese counting system has a "unit" at 10,000 (ichiman), which is where the confusion arose! Phew!
Kyoto is always memorable whatever the season: the new continues to displace the old — my old haunt Maruzen has closed and the inexorable spread of Starbucks and Pachinko continues apace. But there are still sufficient traditional narrow streets to imagine the past, and the temples remain. All changes. The timing of the trip was perfect for cherry blossom, and the city was full. Despite the crowds, the atmosphere was very relaxed.

A good example of book design is this slim volume, beautifully laid out in small format, and perfect for the pocket when travelling. And the content is as good as the cover promises!
Some books become old friends: two are here. The first friend is Alan Watts classic "The Way of Zen". I have had this book 40 years, as the pre-decimal price in the top right corner will attest! A good introduction to Buddhism, not just Zen. Audio versions of some of his talks are available.
David Weatherall's book, 'Science and the Quiet Art', is subtitled 'Medical Research & Patient Care'. The cover of the book is of 'The Doctor' by Sir Luke Fildes. Fildes was born in 1843 in Liverpool, and was brought up by his grandmother Mary Fildes, a political activist. He trained at the Warrington School of Art, going on to become the most successful and well-paid portait painter of his day. 'The Doctor' was a £3000 commission from Henry Tate which, although he grumbled about the fee, prompted Fildes to paint more on social matters. The painting is in Tate Britain.
Today's image from Mars (where two robot vehicles, designed for a mission of 90 days, have been exploring the surface for the past two years). You can see the tracks as one of the robots, Spirit, goes uphill again. The pictures are returned via one of two satellites orbiting Mars. I am always amazed that these raw data are available for anyone who cares to look. Not all agencies are so far-sighted! Clever stuff, and a glowing testimony to a team that manages this project far from the public eye.
Sixty years ago my parents were married: this is the only picture I have seen that records the day. My mother is Flemish, from the villages around Ieper, unmemorable but for the carnage of the first world war. My father met her at the end of another war, not uncommon for the time, I imagine. Less common perhaps, they were married in Belgium, having but few words to share, and not, I suspect, having the full blessing of her family. Then my father returned home to England and my mother followed later. Both no doubt had expectations that came crashing up against rationing and reality. Those early years were hard for both: for my mother loneliness, a new country, a language to learn, a new child (me), and money tight, and for my dad, sudden unwelcome responsibility for a young man, robbed of his youth by a war. But "human resilience" kicks in, neighbours were good in practical ways, and 60 years on, the evidence is there for me to see. Your Flemish may be limited, your French and German gone, but you beat my dad at scrabble most nights, so I guess you learnt enough English!
Mikaeri Amida (見返り阿弥陀) is one of the treasures of Eikandō (永観堂) or Zenrinji (禅林寺) in Kyoto. Why the head was positioned in this way derives either from the imaginative story about the Buddhist monk Eikan, or as practical solution to a problem in casting bronze. The story goes that Eikan (永観) was reciting the nembutsu (念仏), moving around on a freezing winter morning, when the statue stepped down, and led the way. Astonished, Eikan stopped, only to be chided by the Mikaeri Amida. Other variants echo this theme - "hey, why have you stopped, Eikan?". The mudras are not clear from this image, the remaining gilding suggesting both hands raised. In fact the right hand is raised in the Abhaya-mudra; "do not fear", and the left hand in the descending Varada-mudra; "bestowal".
Mount Fuji from the Tokaido shinkansen in late December 2002. December is a good time to be in Japan (at least on Honshu), the days are clear and the weather still pleasant. Sometimes the clouds hide Fuji-san, so on a good day it's always a pleasure to see it come into view. A thin plume of snow can be seen blowing from the edge of the summit at 3776 m. I'm told that you can drive much of the way up (to 2000 m), and the subsequent trail is well marked. Night climbs are popular, though my Japanese friends say, climb it once if you must, but never again. It last erupted in 1708.
Four years ago I visited a temple complex near the science city of Daedeok, Daejeon, South Korea. With that unnerving SE-Asian focus, there are said to be 18,000 researchers in the city, of whom 5,000 have doctorates. It was March, and the magnolias in the temple grounds were in full flower. Here, near London, they flower a few weeks earlier, and together with the plum blossom (ume) 李花 [りか], there are some fine old examples nearby. The days are lengthening, and while still cold, you know that you can make it to the spring. How more they must have welcomed those signs in earlier times.
I had an earlier post on the 10th Century priest, Kūya, but this is a better image for detail. The full picture puts him in context as an itinerant monk. I recall that the small statue, at Rokuharamitsu-ji (六波羅蜜寺) in Kyoto, could not be easily photographed in this detail, so this is likely a professional photograph. He is chanting the nembutsu, the six small figures representing na mu a mi da butsu (南無阿弥陀仏). Perhaps the "Jesus prayer", "Lord Jesus Christ, Son of God, have mercy on me", often associated with the Orthodox faith, is a Western analogue. "For some there comes a time when the 'Jesus prayer' enters into the heart, so that it is no longer recited by a deliberate effort, but recites itself spontaneously, continuing even when a person talks or writes, present in his dreams, waking him up in the morning". (The Orthodox Church, Timothy Ware, Penguin books, 1963). He goes on, "Orthodox spiritual writers insist that those who use the Jesus prayer systematically, should, if possible, place themselves under the guidance of an experienced director, and do nothing on their own initiative".
I'm prompted to mention Ubuntu which I use instead of Microsoft Windows, on both my laptop and desktop computer. It's not that I am messianic about Open Source over proprietary software, you can make your own decisions about that: it's more the underlying spirit (love) that underpins Ubuntu, and the sheer quality of the product. Being free, and well-supported by a very generous community, I wonder whether it might find wider use, in for example, monastic and similar communities. It works well on older computers. I run it on a second-hand IBM T22 Thinkpad.
For many years I had this picture in a clip-frame on my desk, culled I think from the Economist, but I cannot be sure of that. On one of my many moves it disappeared into a folder, but stayed somewhere in my head. I had no idea of its author.
On the train I listened to the valedictory address of Sir Robert May, the retiring President of The Royal Society (iPods have their uses). You have to remember that the Royal Society is an august body, not given to hyperbole, and that Sir Robert May served as the government chief scientist, and understands the political reality. So, his matter-of-fact presentation on global warming should alarm everyone. He uses the facts in an unusual and effective way, to spell out the damage done, and the risks we will pass to our children and grandchildren. They will surely curse our cupidity. The United States collected much opprobrium for refusing to sign the minimal Kyoto Protocol to reduce carbon dioxide emissions to their 1990 level by 2012, and for intransigence in Montreal last year. If we cannot reach such minimal targets what hope have we?
As a parting gift I was given a "hanko" (判子), or more accurately (?) "inkan" (印鑑), the traditional seal that is still used, so I am told, for official papers. I know the company for which I worked, though a large multi-national, had a corporate seal in the safe in Tokyo. Mine lacks that gravitas. I can't read it, nor can many of my Japanese friends. Age is no help! It plays on my name, and my itinerant lifestyle.
A new month, and a new resolve. Too long hanging around outside the gate — no amount of theorising will tell me what's on the other side. So, step forward.